Gabriel Liiceanu, during a conference held at the West University in Timisoara this year, spoke about the platonic myth of the rise and fall of man. Explaining the symbols which sustain Plato’s theory – white horse, black horse, the wings – as well as his key concepts, Liiceanu manages a small survey for the auditorium through the Phaedrus and the Symposium, underlining the significant steps in defining love, in Plato’s vision. Man tries to reach the space of absolutness, of Ideas, of grace and is uplifted by his wings. In order to keep his wings healthy, he must be fed with divine food. Because of the black horse, the man falls and loses his wings. The only way man can find divine food on earth to reborn his wings is by falling in love.
You can read the entire text of the conference, in Romanian, here (or at www.revistaorizont.com)
Here is a fragment of Plato’s “Phaedrus”, cited by Liiceanu:
“(…)then while he gazes on him there is a sort of reaction, and the shudder passes into an unusual heat and perspiration; for, as he receives the effluence of beauty through the eyes, the wing moistens and he warms. And as he warms, the parts out of which the wing grew, and which had been hitherto closed and rigid, and had prevented the wing from shooting forth, are melted, and as nourishment streams upon him, the lower end of the wings begins to swell and grow from the root upwards; and the growth extends under the whole soul-for once the whole was winged. During this process the whole soul is all in a state of ebullition and effervescence,-which may be compared to the irritation and uneasiness in the gums at the time of cutting teeth,-bubbles up, and has a feeling of uneasiness and tickling; but when in like manner the soul is beginning to grow wings, the beauty of the beloved meets her eye and she receives the sensible warm motion of particles which flow towards her, therefore called emotion (imeros), and is refreshed and warmed by them, and then she ceases from her pain with joy.
But when she is parted from her beloved and her moisture fails, then the orifices of the passage out of which the wing shoots dry up and close, and intercept the germ of the wing; which, being shut up with the emotion, throbbing as with the pulsations of an artery, pricks the aperture which is nearest, until at length the entire soul is pierced and maddened and pained, and at the recollection of beauty is again delighted. And from both of them together the soul is oppressed at the strangeness of her condition, and is in a great strait and excitement, and in her madness can neither sleep by night nor abide in her place by day. And wherever she thinks that she will behold the beautiful one, thither in her desire she runs. And when she has seen him, and bathed herself in the waters of beauty, her constraint is loosened, and she is refreshed, and has no more pangs and pains; and this is the sweetest of all pleasures at the time, and is the reason why the soul of the lover will never forsake his beautiful one, whom he esteems above all; he has forgotten mother and brethren and companions, and he thinks nothing of the neglect and loss of his property; the rules and proprieties of life, on which he formerly prided himself, he now despises, and is ready to sleep like a servant, wherever he is allowed, as near as he can to his desired one, who is the object of his worship, and the physician who can alone assuage the greatness of his pain. And this state, my dear imaginary youth to whom I am talking, is by men called love (…).” (Plato, Phaedrus)
